Love, As Always, Pete

The Weekly Letters, by A. Pedersen Wood

August 19, 1992

Dear Everyone:

“Jeannie” would like to go on record as pointing out that we went shopping last Saturday and she didn't buy anything (including dinner, now that I think about it). 

The truth of the matter is, we didn't have a lot of time for shopping, although there was time for buying, if you knew exactly what you wanted to buy and where in the store to find it.  Which is pretty much what I did:  Go straight to the merchandise in mind, take it to the cashier, hand over money (or credit card), received merchandise, leave.  What could be simpler? 

Right, not shopping at all. 

Actually, we were between haircuts and the theater on Saturday, having tickets to see Lettice and Loveage, starring Julie Harris, at the Curran Theatre in San Francisco. 

The Lettice in question is the dingy lady played by Julie Harris, a woman hired by the Historical Society to guide tourists through "Fustian House" a country estate in England.  Unfortunately, "Fustian House" is a bastion of English boredom; nothing interesting ever happens there, with the possible exception of a visit from Elizabeth I. 

Before long, Lettice is embroidering history to make the tour is more interesting for her guests; and the little saucer by the exit, "for whatever tokens of appreciation as you may wish to leave", is soon replaced by a tureen.  As she explains to her horrified supervisor, "Fantasy rushes in where fact leaves a vacuum." 

And "loveage" is a brew of Lettice’s own creation, based on some historical references.  A sort of homemade mead with a substantial kick, which gets more than one of the characters into trouble. 

On Sunday, the temperature soared to 97° which, to my way of thinking, is about 30° too #@&! hot.  “Jeannie” and I decided to do what a lot of people did, went to the movies.  What better way to spend a summer afternoon then shut up in the cool dark with a bucket of popcorn in your lap? 

We chose Buffy, the Vampire Slayer, for obvious reasons.  Actually, we had hoped to see this movie last weekend with “Marshall” and “Glinda”.  But by the time they made it out of Marin, it was much too late. 

The Buffy in the movie (unlike the one we all know and love) is your typical, self-absorbed teenager whose ambition in life is "to graduate from high school, go to college, marry Christian Slater and die".  More or less in that order.  For those of you who don't know, Christian Slater is an attractive young actor, too old for Buffy, of course, (and too young for the rest of us!)  But at that age, you are always interested in "older" men. 

Enter Donald Sutherland as a sad-eyed, gentle-voiced, much-older man, who informs Buffy that he has searched the world over to find her and present her with her birthright.  Buffy:  "Is that like, you know, a trust fund?" 

Not exactly.  She is "The Chosen One", born to slay vampires and, hopefully, destroy their leader, played by a rather hefty Rutger Hauer, who doesn't seem to have had a really decent role since Ladyhawke.  His chief minion is played by Paul Rubens, better known in some circles as Pee-Wee Herman.  Of course, “Jeannie” had to point them out to me as I don't, as a general rule, pay much attention to Pee-Wee Herman. 

Buffy is not impressed with this "birthright".  Her attitude is, "if I'm the Chosen One, then I choose to go shopping".  Even when the old man proves to her that there are vampires, preying on her school, and that she is, in fact, adept at dispatching them, Buffy still isn't particularly interested until the vampires commit the ultimate breach:  Crashing the Senior Dance. 

Then it's Katie-Bar-the-Door. 

On the whole, the movie is cute and occasionally hilarious (although not necessarily in places the producers intended); but I don't think it's destined to become a classic.  Still, if you do decide to go (plenty of hot afternoons left), stay all the way through the closing credits.  Like a lot of filmmakers these days, the producers have started slipping some good laughs into the credits, not unlike the magazines who put all of the cartoons in the back with the advertisements. 

After the movie, we sauntered on over to the shopping plaza to look at the dinosaurs.  Again, we had hoped to share the dinosaurs with “Marshall” and “Glinda”, but they couldn't make it.  So this week, we bought one of those all-in-one cameras-with-film and took about 20 shots of various prehistoric reptiles all made from recycled parts from American-made (they make a point of mentioning this) automobiles.  Except for the turtle, which is made largely from the roof of a Volkswagen beetle. 

“Jeannie” has the camera and is in charge of getting the pictures developed and starting them circulating through family and friends. 

Love, as always, 

 

Pete

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