Love, As Always, Pete

The Weekly Letters, by A. Pedersen Wood

August 26, 1994

Dear Everyone:

Just when I get a nice set of mailing labels typed up, somebody changes their address.  In this case, “Hermione” (see attached).  For those of you who might not remember “Hermione”, she's the nice lady who lives in Oregon and who used to read “Byron’s” copy of the Weekly Letter.  When I finally got “Byron’s” new address and the Letters stop coming, “Hermione” wrote to ask that she be added to the Mailing List and included some stamps as in encouragement.  Although we've yet to meet, she's been on the Mailing List ever since. 

Now about our annual pilgrimage to Ashland for the Oregon Shakespeare Festival.  As can be expected, it had an assortment of highs and lows. 

The weather was a plus.  Not too hot, not too cold.  Apparently, they decided to have their heat wave in July (hottest on record) this year, and I'm glad we missed it.  So you could go for a comfortable stroll through Lithia Park, or visit the shops, or just sit in the shade somewhere and read a book.  Very nice. 

On the other hand, we could easily have done without that chemical spill which closed I-5 right at the Oregon/California border, forcing “Jeannie” and me to go 50 miles out of our way to get around it.  Of course, routes 97 and 66 are much more scenic than I-5.  But they're also a lot more squiggly. 

Our hotel rooms were a plus; they faced East, away from the afternoon sun.  The bathrooms (also known as the Torture Chamber) were the usual minus:  Tiny shower (with the slanting floor), leaky toilet (with the broken seat, regardless of which room you get), ancient sink, and absolutely nothing to put anything down on. 

Dinner on Wednesday, our first full day there, was especially nice.  We had been invited to a special "Thank You" dinner for Patron Members and their guests, along with a couple of fund-raiser people and four members of the Acting Company who happily chatted with us about the current and past seasons.  It's not everyone who can claim to have had dinner with Don John and Benedick of Much Ado About Nothing and Queen Gertrude from Hamlet all in one evening. 

On the downside, Mother's friend “Amy”, who joined us to take advantage of an extra set of tickets that we had, came down with a cold that quickly escalated into pneumonia, requiring in a couple of visits to the local hospital.  Happily, I understand that she is much better now.  We had the extra tickets because “Kelly” stayed home this year, taking care of little “Park” and giving “Alice” a much-needed break from Motherhood. 

The plays were all good, of course.  Hamlet left us all a bit baffled.  The director took "time is out of joint" as his theme.  Each character was dressed out of a different time period.  And the set seemed to consist mostly of scaffolding and plastic sheets, inexpensive to make, of course, but confusing.  And, for the record, we weren't the only ones who didn't get it.  We heard the questions about this play all over town.  On the plus side, Richard Howard (Hamlet) looked gorgeous in those Armani-style suits. 

The Tempest storm scene was too loud to understand anything; but after that it settled down nicely.  The Two Noble Kinsman is not produced very often, on the grounds that Shakespeare probably only wrote half of it, although no one can agree on which parts were his.  It's a "tragicomedy", a comedy with a tragic ending.  Two Noble cousins fall in love with the same woman, fight each other over her and are rather surprised when one of them dies.  “Jeannie” summed it up in one sentence: "Men are so dumb!" 

You Can't Take It With You was the one non-Shakespearean play that we saw.  Originally produced in the 1930s, it's about two families, one straight-laced, one off-the-wall and what happens when their children want to get married.  It was especially delightful to see Michelle Farr play daffy, ballet-dancing Essie in the afternoon, and a quite mature Beatrice the same night in Much Ado About Nothing, which we've seen 5 times now, if you count the Kenneth Branagh film. 

At night, the usual play postmortem would quickly degenerate into a kind of slumber party, with everyone in their "jammies" and “Alice” and “Frankie” throwing fruit at each other.  I have photographs, suitable for framing, or blackmail, depending on your point of view. 

Love, as always, 

 

Pete

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