Love, As Always, Pete

The Weekly Letters, by A. Pedersen Wood

September 3, 1993

Dear Everyone:

“Jeannie” and I went to see The Secret Garden (the movie, not the musical) last week.  I first encountered The Secret Garden in about the 4th grade at Our Lady of the Lake Elementary School, where Sister Mary Fill-in-the-Blank read it to us one hour’s worth at a time, provided we behaved ourselves. 

They were all Sister Mary Something-or-Other, because they belonged to the Order of the Holy Names of Jesus and Mary.  The only one whose other name I can still remember was Sister Mary Patricia.  She was the choir mistress, which meant that you got her for an hour a day, no matter what grade you were in.  After four years of daily encounters, I could finally recognize one of them.  (Let's face it, they really do all look alike.) 

Sister Mary Patricia was very tall, very pale, and very old.  In retrospect, she was probably 4’8” and all of 26; but to an eight-year-old, she seemed tall and old.  They all seemed tall and old.  As choir mistress, she saw to it that we learned our notes and the meaning of the word e•NUN•ci•ate when singing hymns and Gregorian Chants (another useful job skill).  If we were especially good little boys and girls, and if there was time left over after rehearsing for Sunday Mass, she would allow us to sing something that wasn't religious.  (Nuns tend to be into discipline and behavior modification. They could be accused of brainwashing if they didn't have such a strong union.) 

Sister Mary Patricia’s favorite secular song was "Puff, the Magic Dragon", which she found absolutely charming.  Needless to say, the significance of the lyrics, with their thinly-veiled allusions to the drug culture of the 1960s, sailed placidly over her wimpled head. 

Getting back to The Secret Garden, which I must've read a dozen times after I discovered the public library, and was no longer held hostage by Sister Mary F-I-B.  I doubt if any movie could ever do justice to the book, simply because the enchantment of the story lies in the imagination of the reader (or listener).  No producer could afford to include scenes that would invoke that long, lonely winter, waiting…waiting…waiting, to find out if the Garden was really dead, or only sleeping. 

On the other hand, the characters are handled beautifully.  There's little Mary Lennox, spoiled, willful, self-absorbed until she discovers the Garden and a heretofore unknown cousin; a little boy who’s spoiled, willful and self-absorbed and ignored by his father who is too grief-stricken and the self-absorbed to deal with him.  Are we beginning to see a family trait here? 

After the movie, “Jeannie” and I went back to my place to rummage through old programs from the Shakespeare Festival, looking for pictures of the Tudor Faire dancers.  “Jeannie” and her friends had such a good time at the Renaissance Fair (yes, it's that time again) last year, that they want to go back again this year and they want to go in costume.  So we're going to try and put together a Renaissance Peasant outfit, based loosely on the ones the dancers wear in some of the pictures. 

Why a Peasant instead of a Courtier?  Think about it:  It's about 90° in the shade, and there's precious little shade.  Which would you rather be wearing:  "Homespun" cotton or 16 layers of "jewel"-encrusted wool with a long, sausage-shaped pillow tied around your waist to make the Elizabethan skirt stand out?

Right. 

Love, as always, 

 

Pete

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