Love, As Always, Pete

The Weekly Letters, by A. Pedersen Wood

June 18, 1992

Dear Everyone:

A real short letter this week.  I've been invited to do some "networking" at lunch today; and tomorrow, I'll be spending my lunch break getting to “Livermore” for a previously-unplanned afternoon meeting of my Destruction Review QI Team (I'm the Team Leader).  More about that later. 

Last weekend, “Jeannie” and I decided to break with tradition and, instead of going to a movie, we went to two movies.  We went down to San Ramon (it's so nice living within 30 min. of half a dozen movie complexes) for the one o'clock "cheap" showing of Far and Away.  There were about 20 people in the whole theater, making jokes to each other about being able to find seats.  It doesn't look like this one is going to be a big box office smash. 

Set near the turn of the century, this "epic" follows a pair of Irish immigrants, one shanty, one lace-curtain, who, fed up with the Old Country, make their way to America, expecting free land and streets paved with gold.  What they find, of course, is grinding poverty and bare-knuckles boxing (which allows Tom Cruise to take his shirt off as much as possible) and a nice man who helps them, saying, "We’ll find you a place to stay (a brothel), a job (plucking chickens) and, when the time comes, we'll tell you who to vote for." 

In time (about 2 hours’ worth), our plucky hero and heroine make their way to the West, where director Ron Howard employs many people (and horses, and multi--wheeled vehicles) to re-create the Oklahoma Land Rush and proves that, as long as Ron makes movies, his dad, Rance and brother, Clint, will always be able to find work.  If you want to see 70-mm sweeping cinematography of the Great Plains, better hurry.  I don't think this one will stay in the theaters long and the scope will be lost on video. 

The movie let out at 3:30.  We moseyed on over to McDonald's for a late lunch, then sauntered back to the theater for the "cheap" showing of Patriot Games.  As a thriller, this one doesn't have much.  Predictable, most of the "plot" is given away in the trailers.  On a scale of 1 to 10, it's not as good as The Hunt for Red October, but it's definitely better than the remake of Cape Fear. 

Other movies… 

Passed Away, which has already passed away from movie houses, was not the comedy that it was advertised as.  Rather, it's a gentle look at a middle-class family coping with the sudden death of, and necessary funeral arrangements for, the father who keels over at work.  It has all the elements of a family in morning; the wake, for you meet cousins you haven't seen in a decade; the helpful neighbors and relatives who descend on you, casseroles in hand; the hordes of small children who have no idea why they had to dress up, come to a "party", and then get told to keep quiet.  Of course, most middle-class family wakes aren't crashed by the Immigration Service.  A good one to pick up at the video store to watch on a rainy afternoon. 

Lethal Weapon 3.  Regret to say, this one does not have the "depth" of the first two.  No "character development".  According to one behind-the-scenes source, they didn't even have a script for the first few weeks, just stuck Mel Gibson and Danny Glover in front of the camera and told them to add Lib.  If you do decide to go see it, just for the popcorn, of course, be sure to stay through all of the closing credits or you'll miss the final punch line. 

Aliens3.  Dark, not very exciting.  Not to give away the ending, but Arnold Schwarzenegger may have started a fad with his end to Terminator 2. 

Gotta run. 

Love, as always, 

 

Pete

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