Love, As Always, Pete

The Weekly Letters, by A. Pedersen Wood

August 14, 1996

Dear Everyone:

As a general rule, “Jeannie” doesn’t rent videos from Blockbuster.  She prefers a place a little closer to home called Bradley Videos.  I believe this is also a chain, but the managers seem to have a lot of leeway.  This particular manager likes to set aside tapes based on a “theme”.  An example:  “All John Wayne movies, 99¢ this week only.”  Or it could be, “all World War II action films with the letter ‘K’ somewhere in the title.”  Anything goes, which is apparently part of the charm. 

So “Jeannie” rented five tapes (five?!!!) a few weeks ago, based on whatever cockamamie theme the manager had decided on this time, and took them home.  Popped the first tape into the VCR which dutifully swallowed it and promptly died.  (Talk about a bad review.)  “Jeannie” took the machine to the VCR hospital where it was pronounced DOA.  Cost to even look at the possibility of reviving the VCR:  $80.  “Jeannie” called Bradley Video.  Cost to never return the tape:  $20. 

Guess who won. 

Actually, the VCR hospital did eventually find someone who could perform CPR on the VCR long enough to get it to spit out the tape.  Then the VCR went to VCR heaven.  So what happens next?  You got it.  “Jeannie” starts calling me with requests to tape shows for her because she doesn’t have a VCR.  Problem:  She can’t watch the shows I’m taping because she doesn’t have a VCR. 

Finally, last Saturday, we went VCR hunting and managed to find one that approximately matched her specifications (all the bells and whistles for about $1.95).  It even has VCR Plus+, which is a program for people who can’t figure out how to program their VCR’s.  Problem:  You have to program the VCR Plus+ in order for it to work.  Clearly, a system designed by and for programmers. 

We set up the new VCR Saturday afternoon.  My job was to read the Owner’s Manual and install the VCR.  “Jeannie’s” job was to keep “Big White Kitty” out of my lap while I tried to make sense of the directions.  Since programming the VCR Plus+ part required a copy of the cable company’s conversion chart; and since “Jeannie” would never think to keep such a thing around, nor would she know where to look for it if she did keep it; and since I knew exactly where my (two) copies were, we decided to let that part wait until Sunday.  I set up the channels and time and went home. 

When I got home and looked at the clock, I realized that I had inadvertently set “Jeannie’s” new VCR to the wrong time.  I had mistaken 4:56 for 5:56.  However, God rectified this minor error by wiping out the electrical supply to most of the Western States, “Jeannie’s” place and mine included, for at least 3-4 hours.  (Yes, that Saturday.) 

Next day, I went back to “Jeannie’s” where she kept “Big White Kitty” out of my way and I programmed VCR Plus+.  The system has a conversion chart where you identify the correct channel setting for your area.  Example:  In Concord, if you want to watch (or tape) Channel 36, you enter 06.  If you want Channel 54, you enter 10.  (Any questions so far?) 

Where it gets tricky is, how do you tell VCR Plus+ what channel number to use for HBO, or American Movie Classics, or TNT?  Easy, the programming geniuses at VCR Plus+ arbitrarily assigned channel numbers to these “named” channels.  For instance, the USA Network (home of some of the worst made-for-TV movies in the world) is on Channel 44.  You just tell it to use channel number 34 instead.  Problem:  In the Bay Area, we already have a Channel 44 and it’s not USA.  What now? 

Good thing I’m a Systems Analyst.  Through a combination of applied logic and blind luck, we entered the VCR Plus+ code for a program that was showing on Channel 44.  Found out VCR Plus+ thinks Channel 44 should be using channel number 16.  So it was a simple matter to change 16 to 12 and...why are your eyes glazing over like that? 

Bottom line:  “Jeannie” is all set at least until the next major blackout, which could happen any time now. 

Also last Saturday, we had a chance to attend a doll show and teddy bear jamboree at the Alameda County Fairgrounds in Pleasanton.  We all know how fond “Jeannie” is of teddy bears.  However, in view of the crippling heat wave (which coincidentally caused the power outage), the prospect of plodding through temperatures in the 90’s+ while looking at small furry things wasn’t particularly appealing.  We went to the movies instead. 

Chain Reaction.  “Jeannie” swears that this movie is based on a short story that was published around the time of the Energy Crisis in the mid 1970’s; however, the screen writers either never read it or felt it didn’t deserve credit.  Some scientists are working on creating abundant, clean energy out of plain water if they can just find the missing key that will make it all work.  Keanu Reeves plays the machinist, assigned to assist the scientists, who stumbles on the missing piece and voilà. 

Suddenly people are showing up dead, there’s a really keen explosion and everybody, plus the cops, are chasing our hero and the pretty young physicist.  As a physicist, she has a higher social status than the lowly machinist, but her real job is to hold hands and run like hell.  Morgan Freeman is the only one required to do any actual acting, and he holds up his end quite well. 

Chain Reaction was directed by the same guy who did The Fugitive a couple of years ago.  That time he staged a spectacular train wreck.  Can’t do the same thing twice, so this time he blows up about 30 square blocks of Chicago.  Other than that, this is pretty much the same film, minus Harrison Ford, Tommy Lee Jones and a halfway-believable plot. 

Never mind.  Most of the action takes place in Chicago in the winter and I must say, all that snow looked really inviting on a hot summer day.  If you just want to sit in an air-conditioned theater and eat popcorn for a couple of hours, this is as good an excuse as any. 

Love, as always, 

 

Pete

Previous   Next