Love, As Always, Pete

The Weekly Letters, by A. Pedersen Wood

August 4, 1995

Dear Everyone:

Back again.  Two weeks of vacation flew by like a supersonic jet.  The trip to Canby went fine, particularly since I managed to escape helping to repaint the folks’ house (our 50th wedding anniversary present to them, I’m told).  “Byron” brought his friends “Hermione” and “Riley” over, which means I finally got to meet the lady who read “Byron’s” copy of the weekly Letter all those months after he’d moved out. 

Got to meet our newest member of the family, “Alice’s” daughter, “Park” who, in turn, got to see The Park in Ashland, her namesake.  Ashland was fun, if a little too warm, as usual.  “Park” learned to say “ice cube” and “uh-oh!”, which she heard quite often over the past couple of weeks. 

After a week back at work, it’s as if I’d never left.  Everything was right where I’d left it. 

Movie reviews... 

Saw Pocahontas while I was on vacation, since I figured “Jeannie” would never go.  She didn’t miss much.  Politically correct.  Historically very incorrect, beginning with an English ship flying the Union Jack 194 years before it was adopted by Great Britain.  David Ogden Stiers plays Governor Raleigh.  Mel Gibson plays a blond.  And Linda Hunt plays a tree.  The animals don’t talk, but the vegetation does.  No good songs. 

Species.  Evidently, Ben Kingsley decided it was time for him to do an action film.  After all, look what it did for Keanu Reeves.  Of course, Kingsley doesn’t actually do any action; he has a younger co-star to jump through hoops for him.  Kingsley has grown himself a cross between a human and an alien species, then gets upset when she escapes.  The female seems to spend an awful lot of her time taking her clothes off and changing shapes.  Definitely not for the squeamish and not for the kiddies.  Wait for two-for-one night at the video store. 

Waterworld.  There’s been a lot of press about this one, mostly about how much trouble it’s been to produce and how expensive it was ($200,000,000.00) to make.  Well, of course it was expensive.  The whole idea is about a future when the polar ice packs have melted and the world is covered with water (nicely done at the beginning, when the Universal logo, a globe in space, begins to turn and the continents disappear before your eyes).  So all the sets had to be built on water, in Hawaii, where, if you want steel, you buy it at their prices or you pay to ship it out from the mainland and wait for it. 

Granted, the project had problems.  Like when a hurricane sort of ate the main set and it had to be rebuilt, putting everything behind schedule.  And everyone getting seasick.  And, of course, there was the star, Kevin Costner, who, with a Best Director Oscar sitting on the shelf, felt qualified to offer some cogent suggestions to the director.  And there was the director, who evidently told the star just where to stick his cogent suggestions.  Rumor had it that sparks were flying and the set was more volatile than the big action finale, and that people were either walking off the set or leaving in a big huff. 

This last must, of course, have been the invention of the media people.  In the first place, no one was walking off the set for the simple reason that it was completely surrounded by water and, with the exception of some directors, very few people truly believe that they can walk on water.  As for leaving in a huff, this too, is ridiculous:  Everyone knows that a huff doesn’t float worth a damn. 

But what about the movie?  It’s sort of an action movie (it was originally supposed to be a quick rip-off of Mad Max); but then again, it’s sort of not.  Action movies generally involve a lot of reacting and Costner wanted more acting.  So there are kind of soul-searching scenes mixed in with wild murder and mayhem on jet skis.  As for the basic premise, it has more holes in it than Kevin’s trimaran. 

Premise number one:  The glaciers have melted and covered the continents.  Problem is, the glaciers have melted before and the continents did just fine.  In fact, in northwest Ethiopia, there’s a mountain that, during the Miocene, became an island over and over again as the sea level rose and fell.  This island may have been the home of the ultimate origin of the species homo sapien.  According to geologists, if all the glaciers melted, the current sea level would rise somewhere between 80 and 200 feet.  Far from drowning all the continents, you’d still be able to see the tops of the World Trade Center in New York, although I’d advise against taking the elevators. 

Premise number two:  Our hero has gills.  He has mutated to adapt to the new environment.  Now, let’s look at whales, dolphins, porpoises, seals.  All air-breathing mammals who’ve lived in the water for millions of years.  Do any of them have gills?  Of course not.  Webbed toes, yes; ask any sea otter.  But not gills.  Instead, they’ve either developed nostrils that can close against the water, usually by means of small flaps, or their nasal passage has migrated to the top of their heads. 

Of course, if I were Kevin Costner, I probably would have drawn the line at nose flaps or holes in my head, too. 

Despite these little inaccuracies, the movie is certainly worth seeing.  Dennis Hopper looks like he’s having a blast playing the villain.  And there’s even a nasty little dig at those bad old oil companies. 

Love, as always, 

 

Pete

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